Hi Steve! A question for you, Sir: Japan worked with Giorgio Moroder at a vital point of the band’s career (ie, around the time the band changed styles in both image and sonic presentation/arrangement). What short-term or long-term effect did Japan experience from working with Moroder? Thanks kindly!

Not much, I would say. We were quite strong about what we wanted to do musically. Working with Moroder was a whole lot of compromise. I believe the idea to collaborate originated with the German label we were with at the time. That project, as well as ‘I Second The Emotion’, were business decisions and were musically much more conventional than we would normally want to be, purely for the purposes of appealing to a wider audience.