Thanks Mike. The drum fills were most certainly improvised and the aim was to create some suspense and to momentarily lose some of the momentum in the repeating 4 bar cycle. The strings added to the drama and in fact a couple of the string moves were written to follow the drum fills (approx. 6m and 6m20s) and therefore give the impression that these small events were a coordinated effort between the orchestra and drums when actually it was an afterthought cunningly employed by Ann O’Dell.
There were many laughs with Mick. Backfiring practical jokes were a common theme. One that always makes me smile occurred during a drive from London to France, probably to record Rain Tree Crow. Mick was at the wheel and pulled off onto a dirt road and for whatever reason, who knows, perhaps in an effort to unnerve me, or perhaps he was inspired by the crunch of the gravel underneath, decided to attempt a fancy spin at an unimpressively slow speed. It was enough to send his beloved, metal cigarette case that was sitting on the dashboard sliding out of the window and subsequently get flattened under the rear wheels. It seemed impossible to drive over your own belongings that were, until a few moments before, inside the car but somehow he managed it.