Thanks for your generous comments. Recording projects vary a great deal and it’s not always easy to stay faithful to your own ideals when contributing to other artist’s work. Both Perry (Blake) and Hugh (Carswell) were very generous in allowing me to indulge in my own way without laying down any rules, which is always a nice way to work.
As regards influences, bit of a mixed bag really. But I didn’t listen out for particular drummers, I listened to tracks, it didn’t matter to me who the drummer was or what else he might have done. For example, when a track like Marquee Moon came along it was as though something switched on in my brain saying: ‘there’s an infinite number of possibilities, don’t just settle for the easiest way’, and that track, along with others, became a sort of beacon in my formative years, even though the drummer (who totally deserves my gratitude … Billy Fricca) wasn’t in my list of favourite drummers simply because … I didn’t have a list. So perhaps the reason I don’t sound like any one player is because I wasn’t selective about any one particular drummer, instead I would be influenced by the magic found in a particular recording, and that was ultimately more about teamwork.