Month: December 2013

photo by Steve Jansen

December 24, 2013April 11, 2016 sleepyardMick KarnLeave a comment

photo by Steve Jansen

December 24, 2013April 11, 2016 sleepyardLeave a comment

photo by Steve Jansen

December 24, 2013April 11, 2016 sleepyardMick KarnLeave a comment

photo by Steve Jansen

December 16, 2013April 11, 2016 sleepyarddavid sylvian, Mick KarnLeave a comment

photo by Steve Jansen

December 16, 2013April 11, 2016 sleepyardMick KarnLeave a comment

photo by Steve Jansen

December 16, 2013April 11, 2016 sleepyardrob dean1 Comment

photo by Steve Jansen

December 16, 2013April 11, 2016 sleepyardRichard BarbieriLeave a comment

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hi steve ! in the exit north promotional images, in the one where youre sitting down, propped on your knee is a block of… something. mind if I ask what this “something” is? (sorry for the stupid question buts its been bugging me for a while now) w/ love, bug :o] November 18, 2019
Dear Steve, My name is Hans and am 54 years old and a fan of your music since the 1st Japan single. I had only once the opportunity to see you and David live in Amsterdam in 2007. It was a Great show then. Ever since then David did not Tour anymore. Can you explain why? And is there a chance you and David will ever perform live in the future? Thanks in advance for your answer. Kind Regards and Take care Hans October 9, 2019
Hello, I’m an 18 year old student from Sweden and i’ve been listening to JAPAN and various projects by all the members of JAPAN since february this year, like Dolphin Brothers and so forth. I have been incredibly inspired especially by JAPAN. Gentlemen and Tin Drum are two incredible albums i have to say. What was it like in the studio when you were recording the albums? How was the mood and such? October 4, 2019
Hi Steve. After a few years break, from drumming/percussion, I have recently purchased a Roland Handsonic HPD-20 and wondered if you have ever used any of the Handsonic devices in the past or present. October 4, 2019
Hi Steve! A question for you, Sir: Japan worked with Giorgio Moroder at a vital point of the band’s career (ie, around the time the band changed styles in both image and sonic presentation/arrangement). What short-term or long-term effect did Japan experience from working with Moroder? Thanks kindly! March 10, 2019